Always, hosted on Box.
A songlike waltz featuring electric guitar, glockenspiel, bass, melodica, toy echo feedback, vocals. Initially recorded back in '07, mixed recently.
Thursday, December 31, 2009
Sunday, December 27, 2009
Cymbal Tap
Cymbal Tap, hosted on Box.
Features a few cymbals, each used in a feedback loop with a contact mic and a small battery powered amp. Plus feedback from a Realistic Electronic Reverb and ebowed violin drone.
Recorded months ago, finally mixed down in a year-end press to make things count, as it were.
Features a few cymbals, each used in a feedback loop with a contact mic and a small battery powered amp. Plus feedback from a Realistic Electronic Reverb and ebowed violin drone.
Recorded months ago, finally mixed down in a year-end press to make things count, as it were.
Saturday, December 26, 2009
Last I Drove To Value City
Last I Drove To Value City, hosted on Box.
Some cheating here, with whatever software tremelos could be had and a pitched-down doppleganger track or two to bring the warm (if not the low).
Otherwise just garden variety mic feedback/amplification with the cheep karaoke machine, its aliasing echo, some ebowed gitbox lost in hazy recollection. Plus the on-the-fly pitch shift quiver of the Ohio Art DynaMike voice changer.
Regarding the title, more haze within tethered to an actual place name.
Some cheating here, with whatever software tremelos could be had and a pitched-down doppleganger track or two to bring the warm (if not the low).
Otherwise just garden variety mic feedback/amplification with the cheep karaoke machine, its aliasing echo, some ebowed gitbox lost in hazy recollection. Plus the on-the-fly pitch shift quiver of the Ohio Art DynaMike voice changer.
Regarding the title, more haze within tethered to an actual place name.
Thursday, December 24, 2009
Friday, December 18, 2009
Over To Pons
Over To Pons, hosted on Box.
Features Yamaha VSS-30 via a trem/'verbing Twin Reverb and the pervasive karaoke machine. Ebowed to varying degrees of squeeeness is the zitherish Music Maker, an old acoustic and a clunky homebrew zither of sorts cobbled together years ago. The clunky zither of sorts is also plucked, picked.
Foregoing the ritual mention of influences in this garage manifestation.
Features Yamaha VSS-30 via a trem/'verbing Twin Reverb and the pervasive karaoke machine. Ebowed to varying degrees of squeeeness is the zitherish Music Maker, an old acoustic and a clunky homebrew zither of sorts cobbled together years ago. The clunky zither of sorts is also plucked, picked.
Foregoing the ritual mention of influences in this garage manifestation.
Thursday, December 17, 2009
Previous October
Previous October is an instrumental hosted on Box.
It used the Yamaha VSS-30 with a few different sounds sampled.
It used the Yamaha VSS-30 with a few different sounds sampled.
Sunday, December 13, 2009
June Bug In August
June Bug In August is another instrumental hosted on box.net.
Features more of electric guitar, but much of that is processed thru the venerable Korg X-911 Guitar Synth. Or the guitar is controlling the Korg.
Features more of electric guitar, but much of that is processed thru the venerable Korg X-911 Guitar Synth. Or the guitar is controlling the Korg.
Wednesday, December 9, 2009
Long Gone Away--video
Homebrew music video of Long Gone Away using old Super-8 footage and some of the Night Wanderer stills.
Tuesday, December 8, 2009
Whisper Down The Well
Whisper Down The Well, on box.net.
Something akin to Whisky Drinkas, but without the shambling drums & heavier on the ghostly vibe.
Something akin to Whisky Drinkas, but without the shambling drums & heavier on the ghostly vibe.
Saturday, December 5, 2009
Wandered Past
Wandered Past by krseward
The words that come to mind are: "Who can say?"
Beyond that open question, there's the not-so-sympathetic (indeed, plucked) strings of an electric sitar, the thrum pulse of low feedback (our old friend, the cheesy karaoke machine), the squee and swoo of high feedback (ditto the karaoke), and something that's likely my voice as quoted by the ever glamorous Yamaha VSS-30 sampler. Some bits are fooled with via a MadShifta pitch shifter VST of yore but are mostly just as God made them.
With that density of musitech geekery who can hold back?
The words that come to mind are: "Who can say?"
Beyond that open question, there's the not-so-sympathetic (indeed, plucked) strings of an electric sitar, the thrum pulse of low feedback (our old friend, the cheesy karaoke machine), the squee and swoo of high feedback (ditto the karaoke), and something that's likely my voice as quoted by the ever glamorous Yamaha VSS-30 sampler. Some bits are fooled with via a MadShifta pitch shifter VST of yore but are mostly just as God made them.
With that density of musitech geekery who can hold back?
Tuesday, December 1, 2009
Comet to Raynor
Place names and puns often mislead. But this is short long time of suspended animation. Something like a swampglacier, as if that were a word or a sensible notion to have.
Comet to Raynor by krseward
Yet again with the almost zither, this time ebowed. And sometimes amplified/echofied thru the mighty aliasing karaoke machine. Sometimes not.
Comet to Raynor by krseward
Yet again with the almost zither, this time ebowed. And sometimes amplified/echofied thru the mighty aliasing karaoke machine. Sometimes not.
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