Showing posts with label 1985. Show all posts
Showing posts with label 1985. Show all posts
Monday, May 28, 2012
Winter Palace release now on Bandcamp
Winter Palace, Veteran's Day, Music And Candlelight and Listen are now on Bandcamp. Also Provisionally Yours, Instrumental For Plug, so on . . .
Wednesday, April 27, 2011
ye olde J-card
Labels:
12 Bit Jimson,
1982,
1984,
1985,
1986,
1988,
1990,
1991,
1992,
Bengal Burlap,
cassette recorded,
funky clunky sounds,
glossy pop confections,
greatest hits,
songs and such,
Zsa-Zsa's Bra
Tuesday, September 16, 2008
It Shouldn't Be This Way
In a pink caddy of Mary Kay'sfrom "It Shouldn't Be This Way"
Dame Fortune drove by to say
EconoLodge
is Love's cheapest refuge
Running out all you could say
"the Garden State's no place to stray"
How could such pretty lips
spill so much refuse
©1985 Kevin R. Seward
Somewhere between wanting to be Bryan Ferry and wanting to be Elvis Costello, with some carry over from the works of Carl Jung and the Cavalier poets, I had a lyricless noisy thing I'd recorded with a very loosely tuned guitar.
Lyrics just sort of came along as I was walking in a barnyard of long ago. Then more lyrics came and finally way too many.
But for better or worse, the now more conventional music fashioned from the flubbery guitar thing could hold them all.
So below, the early demo or whatever version. Then a later demo or whatever version.
It Shouldn't Be This Way
It Shouldn't Be This Way (1990 recording)
Wednesday, January 16, 2008
Provisionally Yours, Someone In There, At Night
Provisionally Yours
Somewhere around the spring of 1985 I had the presence of mind to go shopping for an actual guitar amp.
Through the Auto Trader I found a Fender Twin Reverb for sale. The owner was an electrical engineer who lived in Eclipse, worked for GE and gigged in country bands. He was looking to sell the Twin and get a more reliable Peavey combo instead. I liked the amp, he showed how to check speaker polarity with a battery and that was it.
Soon after I was putting that tremelo & reverb to heavy use recording the likes of Provisionally Yours and working up my Howard Devoto impression.
Someone In There
At Night
This was recorded some years after being written. I like it musically and like the arrangement done here. Even tho' this meant to be a classic unreliable narrator kind of tune, the lyrics still spook me.
Literal minded folk (of either a dark or a protective frame of mind) be warned--this just ain't your song. Go behave.
Somewhere around the spring of 1985 I had the presence of mind to go shopping for an actual guitar amp.
Through the Auto Trader I found a Fender Twin Reverb for sale. The owner was an electrical engineer who lived in Eclipse, worked for GE and gigged in country bands. He was looking to sell the Twin and get a more reliable Peavey combo instead. I liked the amp, he showed how to check speaker polarity with a battery and that was it.
Soon after I was putting that tremelo & reverb to heavy use recording the likes of Provisionally Yours and working up my Howard Devoto impression.
Someone In There
At Night
This was recorded some years after being written. I like it musically and like the arrangement done here. Even tho' this meant to be a classic unreliable narrator kind of tune, the lyrics still spook me.
Literal minded folk (of either a dark or a protective frame of mind) be warned--this just ain't your song. Go behave.
Tuesday, January 15, 2008
Comfort Waltz, Winter Palace, Hear Me Call
Comfort Waltz
Winter Palace
Hear Me Call
All three songs were written in the mid 1980s. All bear some grandiose notions-- the latter two wanting to be something like Fairport Convention circa "Tale In Hard Time" with a touch of Mission of Burma, Hüsker Dü, et al.
(Yeah, go ahead, laugh . . .)
Whatever they are or aren't in terms of concept or execution, they are some of my faves.
Gratuitous geek note: Hear Me Call might be one of the first things I recorded with anything sequenced besides a drum machine. Indeed, I used the band's Roland TR-505 drum machine as a rudimentary sort of MIDI sequencer to drive my bandmate Dale's Korg Poly-800. Still doing the passing between two cassette decks trick, I could record the drums, a very basic synth bass and whatever live stuff in one pass.
The versions of the others were recorded later on with, at the very least, the best MIDI gear a Caldor or a Lechmere could offer.
Winter Palace
Hear Me Call
All three songs were written in the mid 1980s. All bear some grandiose notions-- the latter two wanting to be something like Fairport Convention circa "Tale In Hard Time" with a touch of Mission of Burma, Hüsker Dü, et al.
(Yeah, go ahead, laugh . . .)
Whatever they are or aren't in terms of concept or execution, they are some of my faves.
Gratuitous geek note: Hear Me Call might be one of the first things I recorded with anything sequenced besides a drum machine. Indeed, I used the band's Roland TR-505 drum machine as a rudimentary sort of MIDI sequencer to drive my bandmate Dale's Korg Poly-800. Still doing the passing between two cassette decks trick, I could record the drums, a very basic synth bass and whatever live stuff in one pass.
The versions of the others were recorded later on with, at the very least, the best MIDI gear a Caldor or a Lechmere could offer.
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