Thursday, November 29, 2007
22 May 04, View In White, Here I Go
22 May 04
Much as I like this instrumental, you might think I'd come up with a better title than the date I recorded it. Something pretty deserves a name. Or maybe it deserves as few words as possible.
View In White
If I recall, I wrote full lyrics for this song. The words weren't too bad. But I really liked the vocables better. A mood was served and therein a meaning could be read.
Here I Go
Much as I like this instrumental, you might think I'd come up with a better title than the date I recorded it. Something pretty deserves a name. Or maybe it deserves as few words as possible.
View In White
If I recall, I wrote full lyrics for this song. The words weren't too bad. But I really liked the vocables better. A mood was served and therein a meaning could be read.
Here I Go
Shambelle #1, Pink Shambelle #4, Shambelle #3, BoDid's Feast
Shambelle #1
I think of these Shambelles, #1 here esp., as (mostly) non-MIDI cousins to instrumentals like Odd Slim and Opti-Suite. Rampantly off-key melodies that are by turns menacing and goofy.
Pink Shambelle #4
This might be called the "more reverb" version of Pink Shambelle and as such almost not a Shambelle at all. The creaky pitch bending on the Optigan towards the end may say otherwise.
Shambelle #3
This one sorta brings to mind Encounters With Insects . . .
BoDid's Feast
I think of these Shambelles, #1 here esp., as (mostly) non-MIDI cousins to instrumentals like Odd Slim and Opti-Suite. Rampantly off-key melodies that are by turns menacing and goofy.
Pink Shambelle #4
This might be called the "more reverb" version of Pink Shambelle and as such almost not a Shambelle at all. The creaky pitch bending on the Optigan towards the end may say otherwise.
Shambelle #3
This one sorta brings to mind Encounters With Insects . . .
BoDid's Feast
Monday, November 26, 2007
Bobo, Gamelan Cakewalk, Whine-oleum
Bobo
(UPDATE: Bobo and Gamelan Cakewalk are out on Bengal Burlap, available at Bandcamp.)
I marveled at the remote on/off switch on the garden-variety mic that came with a cassette recorder. At some point I clued in on how that on/off switch could be used during playback when the mic was plugged in.
Thus the coming & going of that voice and squealing saxophone in the left channel: it's a tape recording that keeps cutting in and out as the remote switch is turned on and off.
Gamelan Cakewalk
The bargain basement tape effect in this instrumental was the cue/fast forward button on the tape deck. I liked this piece but found it a bit long. This was a cassette recording and I lacked the savvy or the nerve to splice tape.
So I just hit the cue button during playback to move things along. I thought of it like some Dada editing method. And I liked that chattering, chirping "screeeeeee!" sound.
Whine-oleum
Years, decades later, I was reading of the Melloman, a Mellotron-ish gizmo fashioned from Walkmans loaded with cassette recordings of instruments.
Too klutzy & impatient to build such things, I went cheap & dirty and tape recorded continuously playing chords on two cassettes. Then with the same remote on/off mic switch control used in Bobo, I'd alternate playback between the two tapes/chords.
Those whining faraway chords in the left channel, the ones that ramp up to pitch when starting and down from pitch when ending?
Yep, those . . .
(UPDATE: Bobo and Gamelan Cakewalk are out on Bengal Burlap, available at Bandcamp.)
I marveled at the remote on/off switch on the garden-variety mic that came with a cassette recorder. At some point I clued in on how that on/off switch could be used during playback when the mic was plugged in.
Thus the coming & going of that voice and squealing saxophone in the left channel: it's a tape recording that keeps cutting in and out as the remote switch is turned on and off.
Gamelan Cakewalk
The bargain basement tape effect in this instrumental was the cue/fast forward button on the tape deck. I liked this piece but found it a bit long. This was a cassette recording and I lacked the savvy or the nerve to splice tape.
So I just hit the cue button during playback to move things along. I thought of it like some Dada editing method. And I liked that chattering, chirping "screeeeeee!" sound.
Whine-oleum
Years, decades later, I was reading of the Melloman, a Mellotron-ish gizmo fashioned from Walkmans loaded with cassette recordings of instruments.
Too klutzy & impatient to build such things, I went cheap & dirty and tape recorded continuously playing chords on two cassettes. Then with the same remote on/off mic switch control used in Bobo, I'd alternate playback between the two tapes/chords.
Those whining faraway chords in the left channel, the ones that ramp up to pitch when starting and down from pitch when ending?
Yep, those . . .
Huggy's Lament, Reggio, B Is For Balance
Huggy's Lament
I really like this piece--the sounds, the mood.
Reggio
I'm not sure if this is a "greatest hit", but my wife has always liked it (she says it sounds like ducks walking along).
B Is For Balance
I've had mixed fortune with any rock instrumentals. But this one, imperfect as it may be, has some life & guts to it.
I really like this piece--the sounds, the mood.
Reggio
I'm not sure if this is a "greatest hit", but my wife has always liked it (she says it sounds like ducks walking along).
B Is For Balance
I've had mixed fortune with any rock instrumentals. But this one, imperfect as it may be, has some life & guts to it.
Thinking Sinking, Skipping, Nothing Put Together, You Know It's So
Thinking Sinking
I'm kinda proud of this song. It's no ray of sunshine lyrically, but it says what it says with something I'd dare call beauty. As close as I get . . .
Skipping
A friend once called a novel of his "a hopeful book about despair". That might apply here. And whether it does, I like funny songs.
Nothing Put Together
It may seem too clever by half, but I'd just seen Jean-Paul Belmondo and Anna Karina in Jean-Luc Godard's Pierrot Le Fou at the Brattle. JPB's character blows up by the sea at the end of the movie. My song has a nominally happier ending.
You Know It's So (Go Up)
More of that "hopeful . . despair" stuff. A gently pointed rejoinder to anyone close enough to hear.
I'm kinda proud of this song. It's no ray of sunshine lyrically, but it says what it says with something I'd dare call beauty. As close as I get . . .
Skipping
A friend once called a novel of his "a hopeful book about despair". That might apply here. And whether it does, I like funny songs.
Nothing Put Together
It may seem too clever by half, but I'd just seen Jean-Paul Belmondo and Anna Karina in Jean-Luc Godard's Pierrot Le Fou at the Brattle. JPB's character blows up by the sea at the end of the movie. My song has a nominally happier ending.
You Know It's So (Go Up)
More of that "hopeful . . despair" stuff. A gently pointed rejoinder to anyone close enough to hear.
Sunday, November 25, 2007
Harp Sketch, New Rub
Harp Sketch
New Rub
These are two tracks from Twilight Extended (click here to view ancient website on Internet Archive), a New Age meditation/relaxation music tape I released under yet another pseudonym, Bernard Waschman.
It's interesting that this music was created in much the same way as 12-Bit Jimson--using a sampler and recording to cassette. For the mixdown, I borrowed an Ursa Major reverb from my friend Steev. From that it was mastered by the good folks at W Bla Bla Bla.
The photo I took late one cold winter's day at my folks'.
New Rub
These are two tracks from Twilight Extended (click here to view ancient website on Internet Archive), a New Age meditation/relaxation music tape I released under yet another pseudonym, Bernard Waschman.
It's interesting that this music was created in much the same way as 12-Bit Jimson--using a sampler and recording to cassette. For the mixdown, I borrowed an Ursa Major reverb from my friend Steev. From that it was mastered by the good folks at W Bla Bla Bla.
The photo I took late one cold winter's day at my folks'.
Homage to The Wild World of Animals, Opti-Suite, Resurrect
Homage to The Wild World of Animals
I guess the name of the show was Wild, Wild World of Animals, aired in the 1970s.
The spare synth-based theme music was some very cool indeed (check out this YouTube vid courtesy love2register) .
Broadly speaking and after the fact, it was this long ago music that my piece brought to mind. Thus the title . . .
Opti-Suite
Resurrect
I guess the name of the show was Wild, Wild World of Animals, aired in the 1970s.
The spare synth-based theme music was some very cool indeed (check out this YouTube vid courtesy love2register) .
Broadly speaking and after the fact, it was this long ago music that my piece brought to mind. Thus the title . . .
Opti-Suite
Resurrect
Saturday, November 24, 2007
A Love For All The Ages
A Love For All The Ages
(Also on Box.)
Circa 1993 was one of those bumper crops of good songs. There was a lot of them & I like most of them pretty well.
But this one has always been a bit of a fave. I like its sound and how it says what it says with a bit of humor.
Circa 1993 was one of those bumper crops of good songs. There was a lot of them & I like most of them pretty well.
But this one has always been a bit of a fave. I like its sound and how it says what it says with a bit of humor.
Lifted, Sad In All Directions, Outside My Door
Lifted
(Also on Box.)
A singer/songwriter acquaintance of a friend heard the opening harmonies of this song and asked me how I did it. As I had just heard a multitracked recording of one of her own songs, I knew what she was asking me. But I had no answer. It wasn't mindful or planned.
When I played it for a therapist, her only reaction was how sad it sounded.
There's a homebrew music video on YouTube.
Sad In All Directions
(Also on Box.)
I saw the Jacksons' biopic on TV. One of the older brothers, Tito maybe, reaped the whirlwind when he broke a string on father Joe's guitar. I'd also read of Micheal playing at the Reagan White House. Sounds ironical, and is. Sorta.
Outside My Door
(It's also playable on Box.)
The cellos sound poured on like some quivering syrup in which all things swim or drown. But there's no need for a lifeline, you're on dry land.
(Also on Box.)
A singer/songwriter acquaintance of a friend heard the opening harmonies of this song and asked me how I did it. As I had just heard a multitracked recording of one of her own songs, I knew what she was asking me. But I had no answer. It wasn't mindful or planned.
When I played it for a therapist, her only reaction was how sad it sounded.
There's a homebrew music video on YouTube.
Sad In All Directions
(Also on Box.)
I saw the Jacksons' biopic on TV. One of the older brothers, Tito maybe, reaped the whirlwind when he broke a string on father Joe's guitar. I'd also read of Micheal playing at the Reagan White House. Sounds ironical, and is. Sorta.
Outside My Door
(It's also playable on Box.)
The cellos sound poured on like some quivering syrup in which all things swim or drown. But there's no need for a lifeline, you're on dry land.
Friday, November 23, 2007
cassette recorded
I started a new label for the entries here: cassette recorded.
As that label applies in some way to most of what I've recorded in the 20th century, it seems like saying of people: oxygen breathing.
Very early on, I'd just use two cassette recorders. One would record my playing a new part along the playback on another recorder of parts previously recorded. I'd layer open air back in the early days of Bengal Burlap. Then I tried wiring things together, for a while without the benefit of a mixing board. The newly recorded part went to one stereo channel while the old parts were fed (in mono) to the other.
Anyway, even when multitracking, most of that was on a cassette machine. And until the early 90s anything I recorded on my own was mixed down to cassette. Hit the eject button, there's the master . . .
As I realize the lids of many readers are growing very heavy by now, I may get into more particulars later.
Suffice it to say, true blue professional recording formats were too pricey for me. I may yet post images of some of the stuff I used instead.
Meanwhile, here's a sliver of cassette arcana from way back when.
Tuesday, November 20, 2007
influences
[Insert here: some meaningful reference to the flashback scene in the movie SLC Punk! where the two main characters are in their mid-teens listening to Rush . . .]
Back when I started making noise/music/whatever of my own, post-punk was the underground genre. And even if 1977 was supposed to be some kind of pop music Year Zero and folks were supposed to be all DIY about everything, an inevitable question in a band interview or point of pride or conversation would be: "what are your influences?"
Of course I was hardly ever in such a situation as to be interviewed or even informally asked such a question. I would just do the uncool thing and wear those influences on my sleeve. Or more likely, on the lapel of one of my thrift store jackets. Cheap, out of sync and out of touch, I'd have some kinda obscure pin (Joy Division) and some obscure but hardly cool at the time pin (Swell Maps).
As I said, I was then (now & always) a hick from the sticks.
What I couldn't buy or inherit perhaps from a cooler friend with more disposable income, I might manufacture. An empty carton of orange juice became an Orange Juice pin. And crude Cray-Pas drawings on otherwise bland t-shirts created commemorations of a Young Marble Giants instrumental or a 12" EP Jah Wobble did with two guys from Can.
Points of fashion aside, influences were really very foggy notions. Was one really saying that one was a fan of a group? Could one claim Sly and the Family Stone as an influence if one played/wrote bluegrass music? More subtly, could anyone claim any band as an influence just in the vain hope of sounding like said musical hero? Can an influence be something one doesn't really like except for one song, one sound, one piece of a song that one can't forget?
All that said, let's dive into the deep end of this murky stagnant pool with a list of groups, artists or genres I'll claim one way or another:
Easy listening
Dan Fogelberg (Dan & Karlheinz S.)
Joni Mitchell
Television Personalities
Elvis Costello
Magazine
Mission of Burma
Dif Juz
the Broadman Hymnal (more about it)
John Cage
Glenn Branca
Fred Frith
The Orthotonics
Marianne Faithful
Leonard Cohen
Firefall
Scritti Politti
Cabaret Voltaire
Wire
Gang of Four
Debbie Reynolds
Jean Michel Jarre
George Beverly Shea
Rudy Ray Moore
Buzzcocks
Joy Division
The Durutti Column
Aztec Camera
The Association
The Fifth Dimension
some old black guy playing blues electric guitar and singing "Kansas City" over and over and over and over again at some festival in a Newport News VA park, Fall 1978
WCMS-FM
WGH-AM
WRVA-AM
WTJU-FM
nondescript Top-40 and album rock radio stations
music of every Sci-Fi, Western and 70s cop show or movie I ever saw
Orange Juice
Josef K
Charlie Rich
Charlie Pride
The Velvet Underground
The Banana Splits
Little Richard
Richard Thompson
Richard Pryor
Brother Dave Gardner
Anonymous Anonymous Anonymous
Burt Bacharach, Hal David & Dionne Warwick
Jonathan Winters
The Mekons
The Partridge Family
The Fall
Young Marble Giants
The Go-Betweens
The Raincoats
Essential Logic
X-Ray Spex
Mark, who turned me on to half of these folks
Those of you who turned me on to the rest
Brian Eno
Talking Heads
The Next of Kin
Half Japanese
Nico
Henry Kaiser
R.E.M.
Public Image Ltd.
Siouxsie & the Banshees
Pink Floyd
Can
Swell Maps
The Who
XTC
Pere Ubu
The Soft Boys
Television
Roxy Music
and who knows how many more . . .
Back when I started making noise/music/whatever of my own, post-punk was the underground genre. And even if 1977 was supposed to be some kind of pop music Year Zero and folks were supposed to be all DIY about everything, an inevitable question in a band interview or point of pride or conversation would be: "what are your influences?"
Of course I was hardly ever in such a situation as to be interviewed or even informally asked such a question. I would just do the uncool thing and wear those influences on my sleeve. Or more likely, on the lapel of one of my thrift store jackets. Cheap, out of sync and out of touch, I'd have some kinda obscure pin (Joy Division) and some obscure but hardly cool at the time pin (Swell Maps).
As I said, I was then (now & always) a hick from the sticks.
What I couldn't buy or inherit perhaps from a cooler friend with more disposable income, I might manufacture. An empty carton of orange juice became an Orange Juice pin. And crude Cray-Pas drawings on otherwise bland t-shirts created commemorations of a Young Marble Giants instrumental or a 12" EP Jah Wobble did with two guys from Can.
Points of fashion aside, influences were really very foggy notions. Was one really saying that one was a fan of a group? Could one claim Sly and the Family Stone as an influence if one played/wrote bluegrass music? More subtly, could anyone claim any band as an influence just in the vain hope of sounding like said musical hero? Can an influence be something one doesn't really like except for one song, one sound, one piece of a song that one can't forget?
All that said, let's dive into the deep end of this murky stagnant pool with a list of groups, artists or genres I'll claim one way or another:
Easy listening
Dan Fogelberg (Dan & Karlheinz S.)
Joni Mitchell
Television Personalities
Elvis Costello
Magazine
Mission of Burma
Dif Juz
the Broadman Hymnal (more about it)
John Cage
Glenn Branca
Fred Frith
The Orthotonics
Marianne Faithful
Leonard Cohen
Firefall
Scritti Politti
Cabaret Voltaire
Wire
Gang of Four
Debbie Reynolds
Jean Michel Jarre
George Beverly Shea
Rudy Ray Moore
Buzzcocks
Joy Division
The Durutti Column
Aztec Camera
The Association
The Fifth Dimension
some old black guy playing blues electric guitar and singing "Kansas City" over and over and over and over again at some festival in a Newport News VA park, Fall 1978
WCMS-FM
WGH-AM
WRVA-AM
WTJU-FM
nondescript Top-40 and album rock radio stations
music of every Sci-Fi, Western and 70s cop show or movie I ever saw
Orange Juice
Josef K
Charlie Rich
Charlie Pride
The Velvet Underground
The Banana Splits
Little Richard
Richard Thompson
Richard Pryor
Brother Dave Gardner
Anonymous Anonymous Anonymous
Burt Bacharach, Hal David & Dionne Warwick
Jonathan Winters
The Mekons
The Partridge Family
The Fall
Young Marble Giants
The Go-Betweens
The Raincoats
Essential Logic
X-Ray Spex
Mark, who turned me on to half of these folks
Those of you who turned me on to the rest
Brian Eno
Talking Heads
The Next of Kin
Half Japanese
Nico
Henry Kaiser
R.E.M.
Public Image Ltd.
Siouxsie & the Banshees
Pink Floyd
Can
Swell Maps
The Who
XTC
Pere Ubu
The Soft Boys
Television
Roxy Music
and who knows how many more . . .
Monday, November 19, 2007
songs & such: A-H
Listed by title from A through H, links to song & instrumental postings on audiokayness:
10 AM
10 Oct 02
15 Years Ago Redux
1,000,000 Words
20 Baht
21 May 2008 Improv
22 May 04
26 Nov 04 Procession
3 Oct 02
3:13 AM
3rd Day of Fog
33rd Floor
9 Oct 03 Bass Drone
A Love For All The Ages
A Sinking Down
Afterdinner Outerlude
Ah Fuzz
All Nite Ramble
Almost Gentle
Always
Another Good Morning
At Night
B Is For Balance
Backyard Flicker
Be Here Soon
Before During and After
Better Go
Better Listen
Better Set Sail
Blesséd (Grace)
Bloom Mesh
Blossom King
Blue Eyed Shamble
Blue Heron
Blue Light
Bobo
BoDid's Feast
Breathe and Sway
Bright Drive Away
Bring May Flowers (both supershiftah and original versions)
Broken Promises
Broken Starlight
Btawak Toglflik
Busker's Holiday
Buttadjust 2
Buzzwag
Cakestring
Can I Be True?
Carry Point
Cascade
Chester Valley Brood
Child Star
Closed Circuit Treadle
Cold Island Reel
Comet to Raynor
Comfort Waltz
Creepy Death Dude
Cymbal Tap
Darlin' Day
Daylily Fade
DeadLordTrance
Deep and Drifting
Delray Rumination
Died Laughing
Dogwood Fabergé
Downward Rise
Drag Surge & Click
Drake Return
Dream One
Dream Song (Open So High)
Drip Spring
Echo Location
Eee-noid Wonder Pt.1
Eee-noid Wonder Pt.2
Egypt Lane
Encounters With Insects
Endlessly
Falling Upward
False Alarm
Faraday Cage
Fear Itself
Float Away
Flugel Drone
Francis Bacon
Fried Chicken Blues
Furthest Star
Gamelan Cakewalk
Garysville Route
Ghost Town
Gleaners' Last Dance
Glen/Harry
Goin' Down
Gone (music video)
Grunt Grunt Pig
Guide
Harp Sketch
Heading Back From The Colonial Store
Hear Me Call
Herculoid Rumination
Here I Go
Here We Come Undone
Hey Little Darlin'
Hipnowash
Homage to The Wild World of Animals
Home Groove Bop
Home Groove Piano
Home Groove Theta
Hornets In The Elevator
Huggy's Lament
10 AM
10 Oct 02
15 Years Ago Redux
1,000,000 Words
20 Baht
21 May 2008 Improv
22 May 04
26 Nov 04 Procession
3 Oct 02
3:13 AM
3rd Day of Fog
33rd Floor
9 Oct 03 Bass Drone
A Love For All The Ages
A Sinking Down
Afterdinner Outerlude
Ah Fuzz
All Nite Ramble
Almost Gentle
Always
Another Good Morning
At Night
B Is For Balance
Backyard Flicker
Be Here Soon
Before During and After
Better Go
Better Listen
Better Set Sail
Blesséd (Grace)
Bloom Mesh
Blossom King
Blue Eyed Shamble
Blue Heron
Blue Light
Bobo
BoDid's Feast
Breathe and Sway
Bright Drive Away
Bring May Flowers (both supershiftah and original versions)
Broken Promises
Broken Starlight
Btawak Toglflik
Busker's Holiday
Buttadjust 2
Buzzwag
Cakestring
Can I Be True?
Carry Point
Cascade
Chester Valley Brood
Child Star
Closed Circuit Treadle
Cold Island Reel
Comet to Raynor
Comfort Waltz
Creepy Death Dude
Cymbal Tap
Darlin' Day
Daylily Fade
DeadLordTrance
Deep and Drifting
Delray Rumination
Died Laughing
Dogwood Fabergé
Downward Rise
Drag Surge & Click
Drake Return
Dream One
Dream Song (Open So High)
Drip Spring
Echo Location
Eee-noid Wonder Pt.1
Eee-noid Wonder Pt.2
Egypt Lane
Encounters With Insects
Endlessly
Falling Upward
False Alarm
Faraday Cage
Fear Itself
Float Away
Flugel Drone
Francis Bacon
Fried Chicken Blues
Furthest Star
Gamelan Cakewalk
Garysville Route
Ghost Town
Gleaners' Last Dance
Glen/Harry
Goin' Down
Gone (music video)
Grunt Grunt Pig
Guide
Harp Sketch
Heading Back From The Colonial Store
Hear Me Call
Herculoid Rumination
Here I Go
Here We Come Undone
Hey Little Darlin'
Hipnowash
Homage to The Wild World of Animals
Home Groove Bop
Home Groove Piano
Home Groove Theta
Hornets In The Elevator
Huggy's Lament
songs & such: I-Q
Listed by title from I through Q, links to song & instrumental postings on audiokayness:
I'm Fine
I'm Off
Instrumental for Plug
Instrumental Frenzy
Intravenous Swarm
It Shouldn't Be This Way
I've Got a Doll Now
June Bug In August
Just Bones
Justine
Kitchen Improv
Last I Drove To Value City
Last March Out
Last We Heard
Left Behind
Lifted
Listen (demo version)
Lo Estate
Lonesome Yodel
Long Gone Away
Lounge Star
Low Field
Mary Magazine
Meat's Meat
Middle of May
MixRDrone
More Neon
More of Them
Music and Candlelight
Musica Musica
My Sweet Plaything
Never Young
New Rub
No Hold
Not The Place
Nothing Put Together
Oboe Arabesque (aka The Hurling Dervish)
Odd Slim
On The Drift
On The Fall Line
Opti-Suite
Ordinary
Our Preschool Speakers
Outside My Door
Over To Pons
Parlor Apparition
Penguin Beach
Pink Shambelle #4
Previous October
Provisionally Yours
I'm Fine
I'm Off
Instrumental for Plug
Instrumental Frenzy
Intravenous Swarm
It Shouldn't Be This Way
I've Got a Doll Now
June Bug In August
Just Bones
Justine
Kitchen Improv
Last I Drove To Value City
Last March Out
Last We Heard
Left Behind
Lifted
Listen (demo version)
Lo Estate
Lonesome Yodel
Long Gone Away
Lounge Star
Low Field
Mary Magazine
Meat's Meat
Middle of May
MixRDrone
More Neon
More of Them
Music and Candlelight
Musica Musica
My Sweet Plaything
Never Young
New Rub
No Hold
Not The Place
Nothing Put Together
Oboe Arabesque (aka The Hurling Dervish)
Odd Slim
On The Drift
On The Fall Line
Opti-Suite
Ordinary
Our Preschool Speakers
Outside My Door
Over To Pons
Parlor Apparition
Penguin Beach
Pink Shambelle #4
Previous October
Provisionally Yours
songs & such: R-Z
Listed by title from R through Z, links to song & instrumental postings on audiokayness:
Rajan Clik
Red Mellow Carry (original version with just the funky old acoustic)
Red Mellow Carry (with an added bass part)
Reggio
Resurrect
Right Through
Robot Angels
Rocker Wait
Rocky Rajah
Rubber Band Z-Box Blues
Running Scared
Runnymede Turn
Sad In All Directions
Safety First
Say When
Scrape Bottom
Second Plateau
Shambelle #1
Shambelle #3
(Pink) Shambelle #4
Shookup Hollow
Short Fridge
Shorthand Jive
Skipping
Slap and Keen
Slide Back
Smashed In Doors
(So Far Away) Long Gone Away
Someone In There
Someone's Giving It All Back
Spectral Cakewalk
Spiritus Monday
Spoken Wave Stepdown
Spring Is Gone
St. Barley Day
St. Mary Sun
Still We Love
Sunshine Sentry
Sun Rises
Surfy Meditation
Sweet Days Gone
T-Improv
Tag Sprung
They'll Hardly Say
Thinking Sinking
Till The Very End
Too Far
Took Root
Touch Nothing
Tremble Melt
Try
Turing Chicken
Turning Reed
Unmooningwise
Urgent Zebra
Veteran's Day
View In White
Waiting With The Lost
Walker Rumination
Wandered Past
Warble Nite
WatUSpace
Waver Patient
Wayohh
Wearier and Wary Of
WeaslThrum
Weeds 'Hind The Rose Room
Wel Don 2
Wheel's Reinvention
When The Devil Can Come Out and Play
When You Go Away
Whiffle Sod
Whine-oleum
Whiskey'd
Whisky Drinkas
Whisper Down The Well
Whisper Slowly
Who In The Heck Are You?
Wick (Not Exist)
(Homage to the) Wild World of Animals
Winter Palace
Wishing Well
Wither Thou Goest
Wombaloo
Wound Beneath The Ferns
Wrong Move
Years End
You Know It's So (Go Up)
You'll Find Me
Zoobish Call
Rajan Clik
Red Mellow Carry (original version with just the funky old acoustic)
Red Mellow Carry (with an added bass part)
Reggio
Resurrect
Right Through
Robot Angels
Rocker Wait
Rocky Rajah
Rubber Band Z-Box Blues
Running Scared
Runnymede Turn
Sad In All Directions
Safety First
Say When
Scrape Bottom
Second Plateau
Shambelle #1
Shambelle #3
(Pink) Shambelle #4
Shookup Hollow
Short Fridge
Shorthand Jive
Skipping
Slap and Keen
Slide Back
Smashed In Doors
(So Far Away) Long Gone Away
Someone In There
Someone's Giving It All Back
Spectral Cakewalk
Spiritus Monday
Spoken Wave Stepdown
Spring Is Gone
St. Barley Day
St. Mary Sun
Still We Love
Sunshine Sentry
Sun Rises
Surfy Meditation
Sweet Days Gone
T-Improv
Tag Sprung
They'll Hardly Say
Thinking Sinking
Till The Very End
Too Far
Took Root
Touch Nothing
Tremble Melt
Try
Turing Chicken
Turning Reed
Unmooningwise
Urgent Zebra
Veteran's Day
View In White
Waiting With The Lost
Walker Rumination
Wandered Past
Warble Nite
WatUSpace
Waver Patient
Wayohh
Wearier and Wary Of
WeaslThrum
Weeds 'Hind The Rose Room
Wel Don 2
Wheel's Reinvention
When The Devil Can Come Out and Play
When You Go Away
Whiffle Sod
Whine-oleum
Whiskey'd
Whisky Drinkas
Whisper Down The Well
Whisper Slowly
Who In The Heck Are You?
Wick (Not Exist)
(Homage to the) Wild World of Animals
Winter Palace
Wishing Well
Wither Thou Goest
Wombaloo
Wound Beneath The Ferns
Wrong Move
Years End
You Know It's So (Go Up)
You'll Find Me
Zoobish Call
Friday, November 16, 2007
Urgent Zebra
Urgent Zebra
(UPDATE: Urgent Zebra is out on Six Songs In July, available on Bandcamp.)
It's hard to say when I got a proper guitar.
Before, I had a bass, a kazoo, my brother's saxophone, a scavenged phone bell. And a very warped old acoustic guitar bearing the image of cowboys singing 'round a campfire.
That guitar, dug out of the dark corner of a upstairs closet, would be the slide guitar in Hey Little Darlin' and the Fred Frith-oid prepared & flanged percussion guitar of Encounters With Insects.
So when my friend Mark sold me his Vantage electric, an actual guitar with decent action & intonation, it was a odd thing to play. And having come from the bass and not knowing a lot of chords, intervals were a big part of anything I played.
Thus Urgent Zebra was born.
The name was a reference, both oblique & obscure, to the instrumental tune Zebra Trucks that had originally come out on the Young Marble Giants' Testcard EP. I was and still am a big fan of that group and that record.
What I came up with may or may not resemble that point of reference.
(UPDATE: Urgent Zebra is out on Six Songs In July, available on Bandcamp.)
It's hard to say when I got a proper guitar.
Before, I had a bass, a kazoo, my brother's saxophone, a scavenged phone bell. And a very warped old acoustic guitar bearing the image of cowboys singing 'round a campfire.
That guitar, dug out of the dark corner of a upstairs closet, would be the slide guitar in Hey Little Darlin' and the Fred Frith-oid prepared & flanged percussion guitar of Encounters With Insects.
So when my friend Mark sold me his Vantage electric, an actual guitar with decent action & intonation, it was a odd thing to play. And having come from the bass and not knowing a lot of chords, intervals were a big part of anything I played.
Thus Urgent Zebra was born.
The name was a reference, both oblique & obscure, to the instrumental tune Zebra Trucks that had originally come out on the Young Marble Giants' Testcard EP. I was and still am a big fan of that group and that record.
What I came up with may or may not resemble that point of reference.
Tuesday, November 13, 2007
I'm Fine, You'll Find Me
I'm Fine
The musical idea for this came from playing a wonky baritone uke (found at Savers).
You'll Find Me
In geeky fashion, I may most like this one for the diseased guitar tone (same part tracked twice with the same amp, a Smokey, but very different speakers) & the low-tuned wobbly intonation. Use of a bizarre old Teisco-ish electric tuned to something like open B sus 2 qualifies this as funky clunky.
The musical idea for this came from playing a wonky baritone uke (found at Savers).
You'll Find Me
In geeky fashion, I may most like this one for the diseased guitar tone (same part tracked twice with the same amp, a Smokey, but very different speakers) & the low-tuned wobbly intonation. Use of a bizarre old Teisco-ish electric tuned to something like open B sus 2 qualifies this as funky clunky.
Wednesday, November 7, 2007
Whisper Slowly, St. Mary Sun, Years End
Whisper Slowly
St. Mary Sun
Years End
Though I'll have a go at writing something resembling pop songs, I've been happier lately with what has come from a sidelong, steady state groove approach. The straightforward songs haven't clicked as some of these others pieces have. Or so it seems.
Also trying to reconcile the glossy with the clunky and make things that seem intentional while shambling along in pieces.
St. Mary Sun
Years End
Though I'll have a go at writing something resembling pop songs, I've been happier lately with what has come from a sidelong, steady state groove approach. The straightforward songs haven't clicked as some of these others pieces have. Or so it seems.
Also trying to reconcile the glossy with the clunky and make things that seem intentional while shambling along in pieces.
Tuesday, November 6, 2007
Odd Slim, Lounge Star, Wombaloo
Odd Slim
Lounge Star (Hungry Ghost version)
Wombaloo
The above are three instrumentals from a period I sometimes regret beginning and other times regret ending.
All three were MIDI sequenced and as such reflect some of my feel while reducing my flubs. That makes them glossy . . .
All of them also have some kind of fun with the sounds they use. That makes them faves of mine . . .
Some snippets from other such are online elsewhere. In the great by & by, I'll post them here.
Lounge Star (Hungry Ghost version)
Wombaloo
The above are three instrumentals from a period I sometimes regret beginning and other times regret ending.
All three were MIDI sequenced and as such reflect some of my feel while reducing my flubs. That makes them glossy . . .
All of them also have some kind of fun with the sounds they use. That makes them faves of mine . . .
Some snippets from other such are online elsewhere. In the great by & by, I'll post them here.
Sunday, November 4, 2007
Robot Angels, Turing Chicken, Whisky Drinkas
Robot Angels (the glossy)
Turing Chicken (the non-glossy)
Whiskey Drinkas (androids & gloss disperse entirely)
Turing Chicken (the non-glossy)
Whiskey Drinkas (androids & gloss disperse entirely)
ye very olde k music sites
The New Noise K Page of Music
I still like the animated GIFs here. Mostly downsampled WAVs of short excerpts.
Twilight Extended
Another musical persona.
I still like the animated GIFs here. Mostly downsampled WAVs of short excerpts.
Twilight Extended
Another musical persona.
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